ACCEPT: TURNING WILDERNESS INTO RAGE by MALCOLM DOME

ACCEPT: TURNING WILDERNESS INTO RAGE by MALCOLM DOME

Famous, genius writer MALCOLM DOME, who has followed ACCEPT for 30 years was at ACCEPT’s LONDON SHOW!

Despite the fact, that the band had the most SOLD OUT SHOWS in their touring history with the BLIND RAGE 2014 World Tour, they just missed the SOLD OUT mark at the beautiful FORUM!!! Wolf Hoffmann states: The audience has been fantastic and PETER & I said after a few minutes into is HOLY SHIT .. we better come back to the UK!

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Thank you Classic Rock.

As the veteran Germans play The Forum, the band’s Wolf Hoffmann talks to Classic Rock

Accept are not content to be a nostalgia band. In fact, current album Blind Rage did something they’ve never experienced before.

“For the first time ever we had a number one album in Germany.  It took us by surprise.  We didn’t know this would be a successful period. Three albums and five years with Mark Tornillo (vocals) and we are strong.”

So, it’s no surprise that the band’s contemporary vigour is reflected in their live setlist.  Unlike  many of their peers they feel confident enough to pepper their performance with material from Blind Rage, and it’s immediate predecessors Blood Of The Nations (2010) and Stalingrad (2012).

“There are very few bands who are trying really hard to make relevant new albums”, says guitarist Wolf Hoffmann. “A lot of our friends take the attitude that nobody wants anything new from them, so they go out and play old stuff. We don’t want to suck up to our past and rest on our laurels. We are opening a new chapter.”

In London, the band get pumping with no less than four modern tracks, slicing through Stampede, Stalingrad, Hellfire and 200 Years. And the audience enthusiasm is at such a high level you’d never have know these don’t come from their glory days in the 80s.

“It’s tricky putting together a setlist, but it’s a good problem to have. Now half of the set is new stuff and half of it is old. People really seem to like the fact that we are playing a shit load from Blind Rage. It’s remarkable to see the brand new songs going down as well as the songs which have been around for 30 years.”

It’s only with the double pack of Losers and Winners and London Leather Boys that the band ease their way back 30 years. Tornillo’s vocals actually have a lot more in common with Brian Johnson than with Udo Dirkschneider. In fact, his whole stage persona brings to mind the AC/DC master, and not just because he wears a hat. He has a stage bonhomie and grinning residue that lends a certain relaxed edge to everything.

“Maybe it was because we were away for so long [effectively a decade from 1997], and feel we still have something to prove. It’s a new era, and we wanted Blind Rageto leave a permanent mark. This is a new time, and we have to prove ourselves all over again.”

“Do we get enough acknowledgement from people for our influence in metal? We’re quite happy with the respect we get from the music industry. Yes, we were the first metal band out of Germany. At the start, we were kids who dreamt of touring the world. And you had to go outside of Germany to be a professional musician. We weren’t really accepted in Germany until we came back from the States in 1984. But it’s always said that a lot of German metal bands were formed after Accept made our mark. Indirectly we did help to create the German metal scene. But that was never what we set out to do. So, it’s hard for me to take credit.”

The encore again mixes old and new, with the mid-paced madness of Teutonic Terror linking the flamboyant Metal Heart and the always welcome finale, Balls To The Wall.  It’s a crisp, plunging way to finish off the night.

“I was into The Beatles and Jethro Tull early on. I listened to the latter’s Stand Up all day long. My sister had it, and I’d play it all the time.”

The one disappointment about the gig is the modest turn out. Accept should be capable of packing places like this. Yet while it’s ultimately too big for their present stature, the performance is of arena  headlining stature, which is where Accept belong.

“We wanted to move forward, and present ourselves in a nice environment, which is why we did The Forum this time. We haven’t given up on the UK. Metal is enjoying a resurgence there, so we want to play more shows in the future.”

The smiles on everyone’s face at the end, band and fans alike, says it all. Accept have the sort of commitment and charismatic determination that this writer first witnessed in 1980, when the youthful band headlined the Markthalle in Hamburg. Living in the past? No, using it as a springboard into a bright future. Turning Wildness into Rage.


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ACCEPT Release New Album BLIND RAGE on August 15th

ACCEPT Release New Album BLIND RAGE on August 15th

ACCEPT Blind Rage July 18th

Hardly any other band has influenced the Heavy Metal genre as much as German legends ACCEPT! Classics albums such as “Restless And Wild” (1982), “Balls To The Wall” (1983) and “Metal Heart” (1985), have inspired generations of new bands, and this has continued since their reunion in 2009. Both “Blood Of The Nations” (2010) and “Stalingrad” (2012) entered the charts globally ( #6 in Germany, #81 in the USA) and underline the premiere league status ACCEPT still have today.

Now ACCEPT announce the release of their new studio album: “Something happened to us, something subliminal and impetuous,” commented main composer Wolf Hoffmann. “It is wild and scary and it’s called “Blind Rage”!”

ACCEPT 2014

“Blind Rage”, just like its two predecessors has been produced, mixed and mastered by Andy Sneap. On August 15, 2014 “Blind Rage” will be released in Europe, August 18th in the UK and France, August 19th in the United States. “The cover artwork done by Daniel Goldsworthy shows the beast coming over us – in blind rage – all over the planet. Wherever we go, whenever you turn on the TV – there is blind rage in the works – either natural catastrophes or man-made madness”, the axe man of ACCEPT states.

www.acceptworldwide.com I www.facebook.com/accepttheband I www.nuclearblast.de/accept