ACCEPT BLIND RAGE Release Parties in Germany

ACCEPT BLIND RAGE Release Parties in Germany

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Come out and  enjoy the new tracks from “Blind Rage” and win some merchandise. Here is a list of parties in Germany.

  • 15.08.2014 Berlin, Halford
  • 15.08.2014 Bremen, Aladin-Music-Hall
  • 15.08.2014 Erfurt, Club From Hell
  • 15.08.2014 Ludwigsburg, RoFa
  • 15.08.2014 Neunkirchen, Club Caesar
  • 15.08.2014 Nürnberg, RoFa
  • 16.08.2014 Coburg, Rockbar 36
  • 16.08.2014 Essen, Turock
  • 16.08.2014 Frankfurt am Main, Speak Easy
  • 16.08.2014 Göttingen, Exil
  • 16.08.2014 Hannover, Rockhouse
  • 16.08.2014 Kiel, Die Pumpe
  • 16.08.2014 Köln, Asgard
  • 16.08.2014 Nersingen, Rocks
  • 19.08.2014 Osnabrück, Bastard Club
  • 21.08.2014 Hamburg, Night Light
  • 22.08.2014 Braunschweig, Meier Music Hall
  • 22.08.2014 Darmstadt, Lobrow
  • 22.08.2014 Oberhausen, Helvete
  • 23.08.2014 Esslingen, Der Eisbär
  • 23.08.2014 Fürstenfeldbruck, Luftraum
  • 23.08.2014 Ochsenfurt, Postkeller
  • 23.08.2014 Weiden, Nitezone
  • 29.08.2014 München, Backstage
  • 07.09.2014 Vohenstrauss, Glasfabrik

It’s heavy metal at its purest and very best – you can’t help but keep on headbanging. Highly recommended. HardrockHaven.net

It’s heavy metal at its purest and very best – you can’t help but keep on headbanging. Highly recommended. HardrockHaven.net

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Although most of us are familiar with the Teutonic thrash metal term describing the particularity of the German thrash metal scene, its counterpart related to heavy metal genre should be in equal use. There is, and always was, something distinctively different about the German metal bands – namely, the aspects of heaviness, majesty and pace of their sound. As for Accept, they’re perhaps the most genuine representatives to the scene, a literal “metal heart” of the German heavy metal – although also this legendary band had their ups and downs. Yet, all this being in the past, now Accept returns stronger than ever with what is their fourteenth studio album, the third one recorded with their current singer Mark Tornillo. Blind Rage is the title of the release, out in August via Nuclear Blast.

The scarlet-colored album cover reveals a picture of an enraged bull ready to attack – and, it turns out, it perfectly completes the furious metal assault of the first track “Stampede” with its muscular riffs and Tornillo’s gruff vocals. Perhaps the highlight of the track is the guitar solo crafted in the best Accept tradition, with distant echoes of neoclassic arrangements which everyone who ever headbanged to “Metal Heart” should be more than familiar with. “Dying Breed” continues in the same feisty manner, Tornillo doing his best Udo-esque impression against the background of a pounding rhythm section and mad guitar duels between Hoffmann and Frank.

Slightly more melodic “Dark Side Of My Heart” opens with a raw riff somewhat devoid of the Teutonic metal majesty and one that may remind you of the typical NWOBHM sound. In its entirety, the song – as many other on this album – bears some resemblance to the classic Accept albums. “Fall Of The Empire” is a shift from the ‘80s influences metal the group has previously embarked on and towards modern-day sound; a majestic, lumbering piece with atmospheric chanted background vocals against Mark Tornillo’s raspy voice taking the lead.

Next is the explosive, fast-paced riff of “Trail Of Tears” that doesn’t let one forget it was Wolf Hoffmann who pioneered such furious licks years before Helloween and Gamma Ray sound helped to coin the term “Power Metal.” And certainly, many young representatives of the current metal scene can only wish and hope they’ll ever sound as powerful as this.

Even the most powerful incarnation of heavy metal was, however, not always about pace and fury – and its pioneers know it well, it seems, delivering a melodic mid-tempo “Wanna Be Free” preceded with a charming, mellow acoustic intro. The track’s relatively subtle melody is in a vivid, yet interesting, contrast with the massive background chants that fill the chorus – and a proof that even more benign face of Accept is still as convincing as their fueled-by-fury trademark sound.

Its follow-up is “200 Years” – as rough and gritty as metal can only get, laden with some heavy, but tasteful guitar licks. “Bloodbath Mastermind” is no slowdown to its predecessor, despite mellow and perhaps misleading intro. And if up to this point – even after the two previous Accept albums – you were not entirely sure about Tornillo’s ability to rip his throat off, the track conclusively proves he’s a sterling screamer.

“From The Ashes We Rise” starts in a somewhat bluesy manner and the echoes of blues are to be heard further in this lumbering, ballad-esque piece. Next is the majestic, guitar-laden epic “The Curse” and fast-paced gallop of “Final Journey” enriched again with a neoclassical-infused solo; undoubtedly, both of the closing tracks finish Blind Rage on a very high note.

Although even a mediocre album from the German giants Accept wouldn’t have shattered their iconic status, Blind Rage is one of these records the only downside of is that they end at some point. Surely, one can discuss the band resorting to the best of their tricks – all staples and trademarks, all things considered classic Accept – but isn’t that the whole point of being a legend in the metal scene that doesn’t have to prove much and can only confirm their status? With their new album, the Germans give their fans exactly what they want to get, a muscular, meaty metal deliciousness spiced up with modern production, but rooted deeply in the sound of Balls To The Wall andMetal Heart. It’s heavy metal at its purest and very best – you can’t help but keep on headbanging. Highly recommended.

Thank you Hardrock Haven!


Blind Rage sees Accept continuing their march toward righteous, well-earned domination of the metal world. Metal Blast

Blind Rage sees Accept continuing their march toward righteous, well-earned domination of the metal world. Metal Blast

Metal Blast

When Accept dropped the earth-shattering Blood of the Nations back in 2010, I knew that it would be hard for them to achieve the same lofty musical heights on subsequent offerings. Sure enough, 2012′s Stalingrad, while certainly a solid album with its own merits, couldn’t quite reach the bar set by its predecessor. Upon the announcement that the band was poised to release a third album with Mark Tornillo at the helm, I knew it would be good, but I wasn’t convinced it would live up to even it’s closest sibling. Thankfully, while Blind Rage still doesn’t quite equal the now classic Blood of the Nations, it is a more complex, varied, and fulfilling album than its already great predecessor.

One thing you’ll notice on first listen is how emotive and melancholic several of the new songs are. Tracks like “Wanna Be Free”and “From the Ashes We Rise” recall the most emotional moments from Balls to the Wall, which really showcases Mark‘s more melodic approach. He’s in top-form here using every part of his range and sounding, finally, completely comfortable within the band.

While those more sombre songs are great in their own right, it’s the more aggressive tracks that rule the roost. A few of these songs will, no doubt, go down as some of the all-time classic Accept songs. My personal favourite comes in the form of “Dark Side of My Heart”, which starts with a butt-shaking Russian Roulette style riff before entering in to a more subtle, sparse structure for the verse. Wolf Hoffmann‘s solo here rolls like a tank through the listener’s brain, achieving a great balance between showmanship and service to the song. Another highlight is “Bloodbath Mastermind”, a violent song with a great backing vocal that I’m sure will sound amazing being hollered from a thousand throats.

Performance-wise, Stefan Schwarzmann is all over this album, pounding on his kit like he’s trying to make the earth move. His timing is beyond reproach and his sense of rhythm seems to have shifted slightly from the last two albums, setting Blind Rage apart in a small but important way.

My only real gripe with the album is on the production end, and it’s only because they’ve chosen to work withAndy Sneap once again. Andy is a great producer who has been a big part of lots of great records from the last decade. Unfortunately, many of these albums sound eerily similar to one another. Don’t get me wrong, the mix is spotless and rich, but there’s nothing that makes it unique. Sonically, Blind Rage fills the exact same space that Stalingrad did.

Blind Rage sees Accept continuing their march toward righteous, well-earned domination of the metal world. You can tell that the boys really put their all in to this project, and it has certainly paid off. It may not be the best album that this configuration of the band has brought into the world, but it’s damn close. Blind Rage is essential listening and will certainly be on a lot of lists at the end of the year.

Thank you Metal Blast!