ACCEPT let the music do the talking, relying on sheer energy, killer songs, and force of personality

ACCEPT let the music do the talking, relying on sheer energy, killer songs, and force of personality

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~ Review by Kit Ekman ~

The honest truth is that ACCEPT is the whole reason we came to Balingen this year.  When the festival was first announced, I distinctly remember sitting at my desk and thinking that Accept would be the obvious choice to headline the 20th Anniversary Festival.  Then I thought back over all the times I’ve seen Accept, on small and mid-sized stages throughout the southeastern USA. Then I remember imagining what it would be like to see Accept on the huge outdoor festival stage, with thousands of people singing along every word to every song.  Then I ordered our tickets to BYH Fest. True story.  Now that the moment was finally here, I could barely contain my excitement.  The stage looked amazing, featuring an enormous backdrop with the ‘Blind Rage’ cover art, a massive wall of double-stacked amps with the Accept logo from one end of the stage to the other, and a cool drum platform in the middle.  That’s it.  The taped intro to “Stampede” started and suddenly we were off to the races.  Whatever lofty expectations I had for Accept on this night were well and truly shattered by their dominant performance.  Guitarist Wolf Hoffmann and bassist Peter Baltes effortlessly worked the stage from one end to the other, with frequent visits to the catwalk, individually and collectively.  They bounded across the stage with an obvious joy and exuberance that belied their ages.  Mark Tornillo demonstrated why he is the perfect frontman for this band, as he belts out the vocal lines with poise and power but knows when to step back and allow Wolf and Peter to take over.  New guys Uwe Lulis (on guitar) and Christopher Williams (drums) seemed completely at home in the band.  Both were marvelous players who seemed fully dialed in with their bandmates and committed to the cause.  To be sure, Lulis mostly stayed out of the spotlight, but on a couple of occasions I saw Wolf motion for him to come over to center stage, or even out in the catwalk, to enjoy some time in the limelight.  Wolf and Peter have both said in recent interviews that the band is tighter than ever in its new incarnation.  Seeing is believing.

A curious aspect of this three-day festival was the opportunity to compare and contrast how different headliners do it.  Unlike their predecessors on Thursday and Friday nights, Accept had almost no gimmicks, no props, no special effects (other than a few blasts of CO2 gas), and a few other little things.  By and large, they let the music do the talking, relying on sheer energy, killer songs, and force of personality to win over the crowd.  And did they ever.  It was positively magical to hear the audience singing every word of so many songs, and adding rousing choirs during the singalong parts to songs like “Stalingrad,” “Princess of the Dawn,” “Metal Heart,” and of course “Balls to the Wall.”  The band felt that way too, with Tornillo exclaiming with amazement, “You guys are killing it!  Last band of a three-day festival and you’re all standing and screaming.”  And we were.  I felt like I was in a dreamstate seeing Wolf and Peter out there at the end of the catwalk, rocking out to their hearts’ content on the jammy extended version of “No Shelter.”  New songs, old songs, everything was executed brilliantly, from the 80s romps through “Losers and Winners” and “Midnight Mover” to the fistful of new classics like “Dying Breed” and “Final Journey” from Blind Rage.  Here’s an interesting fact: Accept played 10 songs from the Tornillo era tonight, and just 8 from the Dirkschneider period.  Living in the past?  I think not.  You know, I wouldn’t have had it any other way (I did miss “Breaker,” though, first time I’ve seen them in recent years where they didn’t play that tune).  Only moment where my heart jumped into my throat was during “Pandemic,” when Baltes dashed out onto the catwalk, then ran back to the mainstage at full speed, only to wipe out when he hit the stairs.  For a split second, I imagined Peter being injured, unable to continue, the show screeching to a halt.  But then Peter got back to his feet, raised his fists with a sheepish grin on his face, and resumed rocking as if nothing had happened.  Both Wolf and Mark made a point of walking over to check on him, but he waved them off.  A minute later, Peter was running back out onto the catwalk, sprinting to and fro, one fist in the air as if to tell us, “No worries folks.  I got this.”  And he did.

If the metal gods are kind to me, I will see Accept many more times before either (i) I go deaf or (ii) they call it a career.  I will never see them better than they were tonight.  This gig is one of those memories that I will lock away in my heart, forever and ever, bringing it out whenever I need a little sunshine, a little inspiration, a little pick-me-up to get through a tough day.  Accept were the best band on the planet tonight.  And I got to experience them.  Thanks BYH! Setlist: Stampede, Stalingrad, London Leatherboys, Restless and Wild, Dying Breed, Final Journey, Shadow Soldiers, Losers and Winners, 200 Years, Midnight Mover, No Shelter, Princess of the Dawn, Dark Side of my Heart, Pandemic, Fast as a Shark.  Encores: Metal Heart, Teutonic Terror, Balls to the Wall.

Originally posted at…    


Man did I need an Accept fix! Bravewords Reviews the Bang Your Head Festival

Man did I need an Accept fix! Bravewords Reviews the Bang Your Head Festival

Original post by Bravewords.

Man did I need an Accept fix! After seeing the band nearly a dozen times, for the first two reunion albums, I’d only seen them twice for Blind Rage: Wacken, a year ago and their return to Gramercy, in NYC at the start of the current world tour (which has yet to set down in North America, apart from scattered handful of dates). There have been some changes in the line-up since, but the principles remain intact, although there’s a dichotomy between the mainstays. There’s Peter Baltes, the smiling, perpetually headbanging bassist, with curly hair flopping in time to the music. If the late Jim Henson ever designed a can’t sit still, ADHD Muppet (had he started a few decades later, surely he would have), it probably would look like the ageless Baltes. To his side, the bald, face-pulling guitarist Wolf Hoffmann. Like a guitar wielding cobra, Hoffman coils himself, striking with steel string fangs. Zap! Don’t worry, the bite is infectious and without antidote. Succumb to the inevitable.

24 amp stacks, a dozen to each side are illuminated before showtime, the Accept, crossed guitar logo in place of any company name. Drummer Christopher Williams comes on and smashed an introduction on the circular (70s) gong behind his massive kit, as the boys kicked into ‘Stampede’. The 17 song was almost exactly split between new and old, with ‘London Leatherboys’ cropping up third, Mark Tornillo, more confident than ever, now that the first round of cuts are over, working the crowd, out on the gangplank, yet returning to the stage and nailing the final lyric, just as he turns to face the audience. It was a noisy, fast guitar set, containing ‘Restless & Wild’ (a surprise coming so early, in the fourth slot), the welcome return of ‘No Shelter’, ‘Pandemic’ (where Hoffmann drops to his knees) and Tyrolean ditty introduced ‘Fast As A Shark’. If ever there were a call for strobes (in spades), it’s this, heads down, balls out, piece of metal! That final pair actual close out the proper set.

‘Dying Breed’ was under blue lights, while ‘Final Journey’ saw jets of compressed “steam” shot skyward, with just the drummer, Wolf and Peter (or is that Peter & the Wolf, Prokofiev?) onstage. ‘Shadow Soldier’ is one dear to Tornillo’s heart, always onstage in a military cap. Purple lights for ‘Losers & Winners’, Wolf and Peter sharing the same mic, on the bassist’s side of the stage. ‘Midnight Mover’, another welcome returnee, would see the two of them alone on the catwalk, trading licks, as Tornillo waits onstage, keeping time. Baltes began ‘Princess Of The Dawn’ atop the variegated riser, while the guitarist made a rare solo appearance on the opposite side of the stage. The first chorus see Wolf with arms outstretched, cuing the crowd to sing along. Deep blues and fog onstage, without prodding, they continue to sing, even though Hoffmann never plays a note. As Peter towels off, they go directly into unusual green lit ‘Dark Side Of My Heart’, where the roles are reversed” Mark on the catwalk and the venerable duo onstage, headbanging. The aforementioned ‘Shark’ ends with the two guitarists center stage, to a huge ovation, as the stage goes black. Almost everyone knows it’s not over and what remains, as illuminated amps, pink lights and plenty of smoke hasten their return, implored by Hoffman (arm in the air) for the opening strains of ‘Metal Heart’. ‘Teutonic Terror’ and the ubiquitous ‘Balls To The Wall’ follow, capping not only another victory, but unofficial end of the festival.


VOLBEAT ANNOUNCE ACCEPT AND KONKHRA AS SPECIAL GUESTS FOR AUGUST 1 APPEARANCE AT TUSINDARSSKOVEN IN ODENSE

VOLBEAT ANNOUNCE ACCEPT AND KONKHRA AS SPECIAL GUESTS FOR AUGUST 1 APPEARANCE AT TUSINDARSSKOVEN IN ODENSE

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VOLBEAT ANNOUNCE ACCEPT AND KONKHRA AS SPECIAL GUESTS FOR AUGUST 1 APPEARANCE AT TUSINDARSSKOVEN  IN ODENSE

Copenhagen, Denmark — VOLBEAT has revealed legendary German heavy metal pioneers ACCEPT and Denmark’s KONKHRA will join the band for their largest headlining appearance to date on August 1 at Tusindårsskoven in Odense, Denmark.  With barely two months to go until the band takes the stage for the final time in 2015, limited tickets remain which can be purchased via www.volbeat.dk.

With a back catalogue dating all the way back to their self-titled debut in 1979, ACCEPT have managed to impress the Danes on several occasions in recent years. In 2012, they initiated their Danish charge with a packed Amager Bio, and the following year saw them back in Denmark performing at the constant growing Copenhell Festival.  They released their latest studio offering, Blind Rage in the summer of 2014 to critical acclaim across the globe.  The band will perform at a few select festivals over the course of this summer, alongside this special appearance in Odense on August 1. 

Opening on the night will be Copenhagen based death metal band KONKHRA. Forming under the name Vicious Circle in the late 1980s, the band settled for the name KONKHRA with their first demo 25 years ago. They quickly proved to be the leading metal force in Denmark up through the 1990s, issuing the groundbreaking releases Spit or Swallow and Weed Out the Weak.  Historically, when Michael Poulsen was a young, rising front man, the band invited his first band Dominus to open for them in Ringsted Medborgerhus in the early 1990s.  That evening marked Dominus’ very first live performance. The addition of KONKHRA marks the deeply loyal Poulsen returning the favor to Anders Lundemark and company.

Please read more about this spectacular and soon to be sold out event on www.volbeat.dk


ACCEPT RETURN TO EUROPE FOR A HOT SUMMER

ACCEPT RETURN TO EUROPE FOR A HOT SUMMER

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Their critically acclaimed return with BLOOD OF THE NATIONS in 2010 opened the Metal Sky for the German band ACCEPT – after a 15 year hiatus – with a Bang! They stayed on the move with a second album STALINGRAD – in 2012 as always supported by a worldwide tour. 2014 they started with an impressive album release  – BLIND RAGE – at the top of European charts and entries worldwide, gracing the rock magazines from around the globe from Sweden to South America, racing through Asia, Australia, Europe, North & South America – sold out shows as well as being part of the biggest International Music Festivals until December, that was BLIND RAGE Tour PART 1. April  2015 they continued with BLIND RAGE TOUR Part 2 which will end in Europe mid December.

The schedule has been pretty demanding and not everybody could stand the test of times…. poster child of fitness Wolf Hoffmann and his “ALTER EGO” Peter Baltes are pushing the envelope and have the greatest fun outdoing each other on stage – holding up the trademark of ACCEPT’s stage performance of mostly 2 hours: Fan, Power, Groove and Speed. Mark Tornillo can hold his own and is a formidable force on stage and very much loved by the fans.

Obviously, they do not slow down – the opposite. Wolf Hoffmann quote: We need to let it all come out and time is the essence. We are happiest when we are on stage and what a nerve wrecking thrill it is to write a new album and jump on stage and perform it… We are on it again ….but – we will take our time. Fans know, they can count on us – we will deliver…. but no rush. We might tape our show at the Bang Your Head Festival in Germany and release that in between.”

The band is on Tour again  –  FASTER…..HARDER….. LOUDER


ACCEPT Says THANK YOU BRAZIL!

ACCEPT Says THANK YOU BRAZIL!

Obrigado fãs brasileiros pela calorosa recepção que nos foi dada! Adoramos cada minuto e a energia entre VOCÊS e a banda foi fantástica! Foi INESQUECÍVEL o tempo que passamos com vocês! OBRIGADO aos nossos colegas músicos e OBRIGADO aos promotores! Obrigado a TODOS que fizeram deste evento tão especial!
Nos veremos em breve!
Accept
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